Why product photos decide the sale
An online shopper cannot pick your product up. They cannot feel the fabric, judge the weight, or check how the finish catches light. Every one of those judgements gets made from your photographs instead, which is why the same product listed with different photos converts at completely different rates.
The mistake most new sellers make is treating photography as documentation. They shoot the product so buyers can see what it is. That is the floor, not the goal. Good product photography answers the questions a buyer would ask if they were holding the thing.
The shots almost every product needs
Regardless of what you sell, a listing usually needs five kinds of image, and a photographer who works with online stores will expect to deliver something close to this set.
- A clean front-facing shot on a plain background. This becomes your main catalogue image and it should be unambiguous: the whole product, sharp, no props competing for attention.
- A back or side view. Buyers look for zips, seams, ports, ingredients panels, whatever the front does not show.
- A close detail shot. This is where texture lives. For clothing it is the weave, for leather the grain, for electronics the build quality.
- A scale or in-use shot. A bag photographed alone could be any size. Photographed on a shoulder, it is instantly legible.
- A packaging shot. This matters more than sellers expect, especially for gifts and for anything where presentation is part of the value.
If your budget only covers three, take the front, the detail, and the scale shot. Those three carry the most weight.
Backgrounds: plain is not boring
Pure white backgrounds are the default for a reason. They isolate the product, they look consistent across a catalogue, and most marketplaces prefer or require them for main images. Consistency is the underrated part. A category page where every product sits on the same background reads as a real shop; one where backgrounds shift from white to wood to grey reads as a collection of unrelated listings.
Save the styled, in-context shots for your secondary images and social posts, where atmosphere helps and consistency matters less.
What to send your photographer before the shoot
The single biggest cause of a disappointing product shoot is a vague brief. Before the session, put together:
- The list of products, with the number of angles you want for each. A photographer quoting on twelve products at three angles is quoting on thirty-six images, and that is a very different job from twelve.
- Any marketplace requirements you have to meet. Minimum pixel dimensions, background rules, and whether logos or text overlays are allowed on the main image.
- Examples of the look you want. Two or three reference images say more than a paragraph of description.
- Whether you need the files retouched, and to what degree. Removing dust and straightening a label is routine. Reshaping the product is not, and for anything regulated it can create real problems.
Resolution and file delivery
Ask for files large enough to zoom. Most storefronts let buyers magnify the main image, and a file that looks fine as a thumbnail falls apart at 200 percent. A long edge of at least 2000 pixels gives you room to crop for different placements later without reshooting.
Also agree up front on what you receive. Edited JPEGs sized for web are usually what you want day to day, but if you plan to print catalogues or run large-format ads later, say so before the shoot rather than after.
Usage rights, briefly
Commissioning photographs does not automatically transfer every right in them. In practice this rarely causes friction for straightforward store photography, but it is worth one sentence of clarity: confirm that you can use the images across your store, your social accounts, and paid advertising. If you expect to license them to a distributor or resell them, raise that at the start.
Where to start
Commercial and product work is the most widely offered specialty on Laqta, so this is one of the easier briefs to fill. You can browse photographers who list product work at product photography, or the broader commercial photography category if your shoot also involves brand or workplace images. Compare a few portfolios before you enquire: for product work specifically, the portfolio tells you more than the price does.